{"id":24354,"date":"2023-10-27T14:03:06","date_gmt":"2023-10-27T12:03:06","guid":{"rendered":"https:\/\/anitafleerackers.be\/exhibition\/silence\/"},"modified":"2026-07-22T13:23:20","modified_gmt":"2026-07-22T11:23:20","slug":"silence-en","status":"publish","type":"post","link":"https:\/\/anitafleerackers.be\/en\/exhibition\/individual-exhibitions\/silence-en\/","title":{"rendered":"Silence"},"content":{"rendered":"\n

Silence<\/h2>\n\n

Anita Fleerackers in Art Gallery Hondsdamme, Damme, Belgium<\/h2>\n\n

Reflection on my participation in an international meeting place and exchange project in Venice.<\/h3>\n\n
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\"The
The Horse Illusion! \u00a9 Anita Fleerackers<\/figcaption><\/figure>\n\n\n\n

Silence<\/h3>\n\n\n\n

From November 9 to 21, 2023<\/p>\n\n\n\n

Open from 14:00 to 18:00 each time<\/p>\n\n\n\n

More info<\/a><\/p>\n\n\n\n

Welcome!<\/h4>\n\n\n\n

Kunstgalerie HondsdammeKerkstraat 32B-8340 DammeBelgi\u00eb<\/p>\n\n\n\n

Kunstgalerie Hondsdamme<\/h3>\n\n\n\n

A small gallery in the picturesque heart of the Flemish Uilenspiegel town.<\/p>\n\n\n\n

Damme<\/h3>\n\n\n\n

Damme was founded in 1180 and first mentioned in writing as Hendam. In 1217 it became Hondsdam. Presumably the prefix came from Honte, a muddy sea arm. In the 14th century, legend developed that before the city could be founded, a demonic dog had to be chased away.<\/p>\n\n\n\n

Source: Wikipedia<\/a><\/p>\n\n\n\n

Previous exhibitions in Damme<\/h5>\n\n\n\n

Rendezvous in Damme<\/a><\/p>\n\n\n\n

Anita Fleerackers in Damme<\/a><\/p>\n\n\n\n

After Mexico back in Damme<\/a><\/p>\n\n\n\n

Sparkling<\/a><\/p>\n\n\n\n

Beeld en Reflectie !<\/a><\/p>\n\n\n\n

Beeld en Evenbeeld<\/a><\/p>\n<\/div>\n\n\n\n

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Anita Fleerackers<\/h3>\n\n\n\n

Nature? Of course Nature! Nature has always been a source of inspiration for artists. For Anita, too, it is an inexhaustible source for her inspiration. Read more…<\/a><\/p>\n\n\n\n

Feelings and characters<\/h4>\n\n\n\n

Feelings and characters, rendered minimalistically.Over and over again, built by hand in different stages, waiting, compositions and balancing, over and over again. A sculpture must sit well because even if you put your finest color on it when firing, if the form is bad the beautiful color will not help.Feeling materials, taking the time for this. I I call it respecting the clay, because when I work too fast the clay wraps itself up, disagrees and spits out its anger in a thousand pieces in the oven.<\/p>\n\n\n\n

Beautiful colors. Pixelism!<\/h4>\n\n\n\n

Beautiful colors of nature in all seasons. Early in the morning, the freezing temperatures hanging in the air as the sun rises. It gives a prism to colors in the sky, or the sun, which tries to break through the nebula. The many shades of green in spring and the splendour of blossoms, summer by the sea, autumn with all shades of reddish-brown. Winter, a residual rose buried in the snow. Her paintings are memories, which, like photographs, contain thousands of pixels, built up by squares of about 1 cm by 1 cm. Pixelism! Labor-intensive but at the same time soothing, and unique.<\/p>\n\n\n\n

My artwork<\/a><\/h4>\n\n\n\n

Kunstgalerie Hondsdamme<\/h3>\n\n\n\n
\"Art
Kunstgalerie Hondsdamme<\/figcaption><\/figure>\n\n\n\n

Silence<\/h3>\n\n\n\n

Reflection on my participation in an international meeting place and exchange project in Venice.<\/p>\n\n\n\n

Venice <\/strong>offers a unique international meeting place with an international audience of professionals such as curators, gallerists, collectors and publishers seeking to acquire, publish and encourage the best contemporary art talents.<\/p>\n<\/div>\n<\/div>\n\n